秋之豐收｜韋瓦第《四季·秋》

Yvonne Yuen 以壓花相框回應韋瓦第《四季·秋》，將豐收的喜悅轉化為精緻而恆久的植物構圖。扁平的花瓣與枝幹如樂句般在框內舒展，以節奏性的弧線與流動線條呼應開場 Allegro 的豐年舞蹈與農民歡慶；琥珀、金黃與赤褐色承載著季節豐饒的情感。精確的植物配置既捕捉慶典的脈動，也暗示狩獵的活力，同時以扁平親密的形式沉入安詳靜謐，呼應第二樂章的溫和空氣與甜夢。作品邀請觀眾看見金秋的音樂，聽見花朵的慶典——巴洛克活力與植物優雅之間的靜謐對話。

Yvonne Yuen’s pressed-flower frame translates Vivaldi’s Autumn into a delicate, preserved composition. Flattened petals and stems are arranged like musical phrases within the frame—rhythmic arcs and flowing lines that echo the opening Allegro’s harvest dances and peasant revelry. Warm amber, gold, and russet tones carry the emotional colour of the season’s abundance, while the precise placement of botanical elements suggests both the joyful pulse of the celebration and the later energy of the hunt.
The flattened, intimate format settles the energy into a quieter repose, reflecting the Adagio’s hushed calm and sweet slumber. In this carefully composed frame, the work invites viewers to see the music of the golden harvest and hear the flowers of autumn—a quiet dialogue between Baroque vitality and the preserved grace of botanical form.